UAB's Digital Repository

You will find here materials directly published online, excepting the self-translations of work originally published in print (see sections Chapters in Books, Academic Articles)



Sara Martín Alegre (ed.). Frankenstein's Film Legacy. Bellaterra: Departament de Filologia Anglesa i de Germanística, UAB, 2019. 

Sara Martín Alegre (ed). Gender in 21st Century Cinema: 50 Titles. Bellaterra: Departament de Filologia Anglesa i de Germanística, UAB, 2019.

Sara Martín Alegre (ed.), Gender and Feminism: The Students' View, Vol 2. Bellaterra: Departament de Filologia Anglesa i de Germanística, UAB, 2018.

Sara Martín Alegre (ed.), Reading SF Short Fiction: 50 Titles. Bellaterra: Departament de Filologia Anglesa i de Germanística, UAB, 2016.

Sara Martín Alegre (ed.), Gender and Feminism: The Students' View. Bellaterra: Departament de Filologia Anglesa i de Germanística, UAB, 2015.

Sara Martín Alegre (ed.), Charming and Bewitching: Considering the Harry Potter Series. Bellaterra: Departament de Filologia Anglesa i de Germanística, UAB. 2014.

Sara Martín Alegre (ed.), Addictive and Wonderful: The Experience of Reading the Harry Potter Series. Bellaterra: Departament de Filologia Anglesa i de Germanístca, UAB, 2014.



Sara Martín Alegre (ed.), Sharing Teaching Experiences, papers presented in the TELLC (Teaching English Language, Literature and Culture) Workshops (2014-).  



"Sex and the Humaniform Robot: Between Science Fiction and Robosexuality", conference presentation, 2 October 2018

"Severus Snape: héroe secreto", lecture, 25 November 2018

“An Overlooked Adulteress: Annabella’s Irresistible Passion in Anne Brontë’s The Tenant of Wildfell Hall", academic article, November 2018

"The Case of Vandana Singh: Reading Indian Science Fiction, with a Warning about Wrongs", conference presentation, November 2017 

“Obrint les Humanitats: Les ficcions populars i el que els estudiants ens podeu ensenyar”. Inaugural lecture, academic year 2017-18, Facultat de Filosofia i Lletres, Universitat Autònoma de Barcelona. English self-translation, "Opening Up the Humanities: Popular Fictions and What Students Can Contribute"

“El cuerpo y los cuerpos: Contra el universalismo en la aplicación de la Teoría de los Afectos al cine de horror”, conference presentation, June 2017

“In bed with Dickens: Questioning the neo-Victorian codes of representation in Ralph Fiennes's film The Invisible Woman (2013)”, academic article, 2017

"Del cine al teatro pasando por Shakespeare", classroom presentation, seminar "Shakespeare al cinema" (MA Estudis Teatrals),

"Between Brownlow and Magwitch: Sirius Black and the Ruthless Elimination of the Male Protector in the Harry Potter Series", academic article, 2016. Self-translated as "Entre Brownlow y Magwitch: Sirius Black y la implacable eliminación del protector masculino en la serie Harry Potter".

“Re-Imagining Apartheid: Making Guilt Visible in Lauren Beukes’ Zoo City (2010)”, conference presentation, 2015

“¿La memoria ninguneada?: La presentación de la emigración económica española hacia Cataluña en el Museu d’Història de Catalunya y el Museu d’Història de la Immigració de Catalunya”, conference presentation, 2015

"Failing to mainstream the gay man before Brokeback Mountain (2005): Richard Condon's Gods and Monsters (1998) and the problem of ageism", conference presentation, 2015

"Space Opera Beyond Space: Iain M. Banks’ The Hydrogen Sonata and the Politics of Subliming", conference presentation, September 2015

“Fabulant el monstre masculí: La ficció de detectius i la ciència-ficció a la novel·la de Richard Morgan Black Man (2007)”. The document includes an English translation

“The Ceremony of Crying: The Novel of Sensibility as Theatrical Performance, Henry Mackenzie’s The Man of Feeling (1771)”, paper

“Walking on Common Ground: The Shared Cultural Background in William Faulkner’s The Sound and the Fury and Gabriel García Márquez’s Crónica de una Muerte Anunciada, paper

“The Mistress of the House and her Master: The Double Narrative in Charles Dickens’s Bleak House, paper

“The Neurotic Ritual: The Metafictional Discourse in Philip Roth’s The Counterlife, paper

“The Picaresque Adventure of the Jewish Immigrant: Aspects of the Picaresque Plot in Abraham Cahan’s The Rise of David Levinsky”, paper,

“Women from Another World: Lily Bart and Ellen Olenska, Two of Edith Wharton’s Heroines”, paper

Expediente X: el culto que persiste”, presentation

“Los estudios culturales en España: Más allá de la filología”, lecture, 2009

“Richard K. Morgan’s Black Man/Thirteen: A Conversation”, interview

"Teaching gender studies as feminist activism : still struggling for recognition", conference presentation

"La Ciència i la ficció a la ciència-ficció: Tecnofòbia i tecnofília a les humanitats (una aproximació comparativa)", lecture

"Scottish Masculinity and the Failure of the Utopian Tower Block in David Greig’s Play The Architect and Andrew O’Hagan’s Novel Our Fathers", academic article

"The Haunted Gentleman: The Redemption of Conventional Masculinity in John le Carré’s The Constant Gardener (2000)", academic article

"Leyendo a René Schérer desde la óptica de la educación superior: Ambigüedades y silencios en la perversión de la pedagogía universitaria española", academic article

"Freaks: Strategies for the Textual Representation of the Uncommon Other" (2005, 2013). Spanish version: “Freaks: Estrategias para la representación textual del cuerpo del Otro”, academic article

"Oblique Politics: The Conspiracy Theory at the Heart of The X-Files", conference presentation

“Leisured Utopia: Re-imagining the Role of Work and the Generation of True Culture”. Spanish version: “Ocio y utopía: Los límites del trabajo y la generación de auténtica cultura”, academic article

"Heathcliff’s Blurred Mirror Image: Hareton Earnshaw and the Reproduction of Patriarchal Masculinity in Wuthering Heights". Spanish version: "El reflejo borroso de Heathcliff : Hareton Earnshaw y la reproducción de la masculinidad patriarcal en Cumbres borrascosas de Emily Brontë", academic article

“La Humanización del robot en El Hombre del Bicentenario: Del relato de Isaac Asimov a la adaptación cinematográfica de Chris Columbus y Nicholas Kazan”, seminar presentation

"Teaching Politically Incorrect Contemporary Gothic Fictions: Bret Easton Ellis' American Psycho (1991) and Stephen King's Misery (1987)", conference presentation

"Rewriting the Writer: Hemingway in Love and War according to Richard Attenborough", conference presentation

"The Man Behind the Mask: Looking at Men’s Faces in Films", conference presentation

Campus d'excel·lència internacional U A B